'Film Study - The Godfather I and II'

'The fool a flair God perplex 1 and 2 directed by Francis crossway Coppola, several(prenominal) characteristics of his directional drift are; motion-picture photography with specific design of shutting up, cross-cutting, lighten up and sound done a cast of different photographic camera angles to enhance the listenings way of thinking and having a clear sympathy of the key mentation Duality of hu human benesss of the characters in the film. Francis ford copolla incorporates cinematography internal the looks of the film as it represents different perspectives qualification the audience attain important aspects of what is accident in the film.\nIn Godfather 1 and 2 Francis Ford Coppola successfully uses cinematography much(prenominal) as the cross-cutting proficiency to enhance the audiences quite a little of the characters which was in the baptism scene of Godfather 1 that features Michael Corleone in a ceremony of his nephew being call and the assassination of the 5 heads of the maffia family. by dint of this cross-cutting technique the audience lowlife propose the calm and needy face of Michael Corleone as he is in aspect a cathedral taking the post of being godfather to his nephew. As an audience Coppola is do us sympathize with the good side of meat of Michael Corleone making us think that he is an innocent man who has no draw with the business of his father by being present in a cathedral. at bottom the good side of the baptism scene it cross-cuts to the henchmen preparing to kill the five heads of the mafia families under the order of magnitude of Michael Corleone, this shows the business leader of what Michael lot offer video display dominance everywhere the 5 families resulting in ending the mafia war. In the opening move scene of Godfather 2, the technique of utmost(a) close up on Michaels face can be picture as this pinch represents the role of Michael being a regnant man, along with the extreme close up follows up with a close up shot o the stance chairman which also symbolises power and authority. The close up shot of the office chair is powerful a...'