Intellectual Property and the Future of the Music Industry Essay

Corruption, Conscience, and CopyrightThe occurrent State of Intellectual Property and the Future of the medication Industry immediatelys pirates operate not on the high seas but on the Internet, in illegal CD factories, distribution centers, and on the street. The pirates credo is windlessness the same--why pay for it when its so easy to slide? The credo is as wrong as it ever was. Stealing is still illegal, unethical, and all too frequent in todays digital age. That is why RIAA Recording Industry sleeper of America continues to fight music piracy. RIAA.comThe human scruples is a powerful tool. And if you are like most Americans, you probably cut into yourself to be a rather moral person, at least establish upon your own morality, your own conscience. Chances are, however, that you have engaged in some flesh of illegal activity during your life speeding down a well-known(prenominal) road, jaywalking across an empty street, driving with a broken blinker. Assuming you get a line yourself to be of high moral stature, how does your conscience reconcile this? The answer the wicked does not always imply the unethical, and that which is illegal is not necessarily immoral.Since the digital revolution in the 1990s, the downloading of copyrighted music has skyrocketed. The Recording Industry Association of America, RIAA, has denounced music piracy, claiming that it is both illegal and immoral. And they drive a hard bargain, argue the following1. Downloading music is against the law.2. Downloading music betrays the songwriters and recording artists who create it.3. Downloading music stifles the careers of recent artists and up-and-coming bands.4. Downloading music threatens the livelihood of the thousands of working people who are em... ...ec_39_00000201----000-.htmlBlackburn, David. online Piracy and Recorded Music Sales. Dec. 2004. http//www.katallaxi.se/grejer/blackburn/blackburn_fs.pdfCD Baby. Who/What are we? http//cdbaby.com/aboutHolahan, Ca therine. Downloading Musics New Deal. Business Week Online. Oct. 31, 2006. p8-8, 1p. Leach, Eric and Henslee, Bill. Follow the Money Whos actually Making the Dough? Nov. 1, 2001. http//emusician.com/mag/emusic_follow_money_whos/index.htmlLessig, Lawrence. The Limits of Copyright. June 19, 2000. http//www.lessig.org/content/standard/0,1902,16071,00.htmlMcCourt, Tom, and Burkart, Patrick. When Creators, Corporations and Consumers Collide Napster and the instruction of On-line Music Distribution. 2003. Sage Publications.Music United. Why You Shouldnt Do It. http//www.musicunited.org/4_shouldntdoit.html